I contacted a psichotherapist in order to get information about my character's personality and derivated behaviours. Based on the ancient sufi teaching of the enneagram, which is nowadays applied to psichology, this psichotherapist suggested me that my character belongs to the "social subtype" of the "type 3" personality.
This subtype characteristics incluye:
- He is a person that needs the world to recognize his value. When that value lacks in the childhood, it gets overdeveloped when older.
- Usually a brilliant image of himself to compensate for a poor childhood.
- Usually grown up in a situation in which he was under considered, so that it takes him to compensate that lack.
- A profound feeling of emptiness and low-self steem within himself.
- His natural desire for being important develops into a passion and lives for the prestige, the need to be recognized and his personal importance.
These are just some of the characteristics that I'll have to play with when developing the script, which have been by the way quite important in order to develop my ideas.
When you know your character, the things that happen to him just come by themselves.
miércoles, 30 de diciembre de 2009
martes, 8 de diciembre de 2009
Pictures of the location (flat)
Development of ideas for the script 1
I developed the idea of the character being withdrawn from the Poker table and taken to the inside of his mind. The character will be taken to a flat's living room, I want the room to be completely empty. This character is going to be a business man that apparently is going through a bad time of his life (lost his job, because of this his girlfriend broke up with him, he ). In the first scene that he is taken to the living room of that flat, he will not be able to open the doors or escape from that room. He will be visibly desperate. The idea is that he will have to complete tasks that will allow him to open the doors. This tasks will relate to problems of the real life that he has to solve in order to be happy and back to his previous life. Remember that the flat will represent the inside of his mind.
As he completes the tasks that allow him to open the doors, his game at the poker table will change. I want to use the simple action-reaction structure.
I will have a psichotherapist consultant who will help me analise the mind of a person like my character, body lenguage, different kinds of nervous breakdowns and so on.
As he completes the tasks that allow him to open the doors, his game at the poker table will change. I want to use the simple action-reaction structure.
I will have a psichotherapist consultant who will help me analise the mind of a person like my character, body lenguage, different kinds of nervous breakdowns and so on.
Interesting quotes regarding story telling within short films
"The freedom of the short film relative to the long film lies in the possibilities of using metaphor and other literary devices to tell the story. This is a luxury not available in the comercially driven, realism-oriented long film. Indeed, one of our major points about the short film is its linkages to other literary forms"(Introduction xv)
"Often the story will unfold around a choice that presents itself to the character who never returns to his or her former state. And closure is attained by virtue of making or avoiding that choice."(Introduction xv)
"The catalytic event that would begin the action of the film, which could be viewed as the beginning of act II, must come much more quickly than a quarter of the way into the film. Indeed in the short film, if we use the long-form act proportion or three act structure, one finds that both act I and act II are very short because to set up the story (Act I) must be fast."(Introduction xvi)
* Cooper, Pat; Dancyger, Ken. Writing the short film. 1st edition (Focal Press, USA, 1994)
"Often the story will unfold around a choice that presents itself to the character who never returns to his or her former state. And closure is attained by virtue of making or avoiding that choice."(Introduction xv)
"The catalytic event that would begin the action of the film, which could be viewed as the beginning of act II, must come much more quickly than a quarter of the way into the film. Indeed in the short film, if we use the long-form act proportion or three act structure, one finds that both act I and act II are very short because to set up the story (Act I) must be fast."(Introduction xvi)
* Cooper, Pat; Dancyger, Ken. Writing the short film. 1st edition (Focal Press, USA, 1994)
jueves, 3 de diciembre de 2009
Image quality comparison between HG20 and HM-100

This comparison has been carried out in order to clarify what camera will be used to shoot my film. If I finally get to use the 35mm adapter, the HG20 seems to be good enough for the purpose. It has a very good behaviour in low light conditions. The pros from the HM-100 would be the vivid generated colors and a sharper picture. However, the HG20 was set on Cinemode which could have interferred with the sharpness. Further tests must be made when the adapter is ready, as with the adapter and less attached there it will be a one stop of light loss.
martes, 1 de diciembre de 2009
DoF Adaptor problem


I recently purchased a DoF Adaptor which was meant to be used for the shooting of my film, this adaptor creates a shallow deph of field that contributes to achieve a film look while working on video, it also allows to attach 35mm lenses to it, which adds several possibilities in terms of lens' choice to obtain different results. The problem is that my Canon HG20 is not able to focus properly on the Ground Glass of the adaptor. I need to zoom into the GG until it covers the entire frame, and whereas the camera focuses it properly when the zoom is back, it is unable to do it when I zoom in. I will keep on trying different options to focus. If it is not possible, I will need to use the University cameras for the shooting.
Title of the film
The title I chose for my short film is FORTUN3. The reason is that Fortune is what the film is about, you can call it luck, but Fortune also refers to wealth and money, so in a way this word contains 2 important aspects of my film and Poker itself. The number 3 represents the twist that I am giving to my film, which does not rely solely on Poker but also on psichology, a field that is hard to understand. Metaphorically I would like the audience to turn the number around and complete the word, which can only be done if the message is understood.
Initial pitch
1.INTRODUCTION
a)Theme: Fortun3 is a psichological film on Poker. The message that I will try to send to the audience is that "What's happening within us will create what happens outside of us"
b)Synopsis: There will be 3 or 4 people playing Poker at an unknown place for the audience. The story will be focused on 1 player. This player at the beginning thinks that Poker depends on luck and by the end of the film he will realise it depends on him. This realisation will happen because he will be taken away from the game, within his mind, realising here that whatever he changes in his mind will change the game.
c)Aesthetics: I want my film to be a psichological film containing bits of surrealism to represent the moments in which we are within the character's mind.
d)Audience: The target audience would be 18+, I reckon that the key message would not be understood by someone younger than that. I would be sending the film to film festivals and exhibitions.
2.CONTEXT
a)Relation to my previous work: My last short film, "Forever Together" was also dealing with psichological matters. It seems that I am very influenced by my surroundings and that is why I usually go for this kind of themes.
b)Relation to a wider context: Poker is well famous nowadays, maybe this way I get the people to watch the film and get the message of it. I find particularly interesting to make a film on Poker, but not about Poker. There is too much already of cliched films on Poker as I have previously shown in this blog.
3.RESEARCH
At the moment my reasearch is primarily based on Youtube videos and a documentary from which I took the message that my film will contain. Youtube films on Poker are been useful for me in order to create something different, something that will not be "one more film about Poker". The documentary I am talking about is "What the Bleep do we Know"(William Arntz, Betsy Chasse and Mark Vicente, 2004, USA)It talks about spirituality and emotions and I found quite interesting to work on that phrase that served me as the message for my short film.
4.PREPRODUCTION
I will be shooting the main scene of the poker table at the studio at Middlesex university, they have black curtains to place behind in order to create that dark background that I want to achieve for the film.
5.METHODOLOGY
a)Techniques and resources: I am going to build a dolly to create smooth camera movements and the important dolly in and out of the character that will take us to another place (his mind).
I will use Casting Call Pro website (www.uk.castingcallpro.com) to get the actors needed as I did last year for my last short film.
I will need to practice with the lighting and dolly in the studio some days before filming to achieve what I want.
I could be using a DoF Adapter (Modo35) with my Canon HG20 and a Rode Videomic for the film, if this is not possible the university cameras and a separated boom mic will be used.
I contacted a 3D animator to create the beginning and ending titles(and anything else required).
I also contacted a sound designer to create for me the sound effects and perhaps the music as well.
b)Schedule: I am planning to have the script written by the end of Christmas so that I have time to find and cast the actors in January. The shooting is planned for February, that would leave me a month for post production issues, editing, creating the soundtrack, adding the 3D material and so on.
a)Theme: Fortun3 is a psichological film on Poker. The message that I will try to send to the audience is that "What's happening within us will create what happens outside of us"
b)Synopsis: There will be 3 or 4 people playing Poker at an unknown place for the audience. The story will be focused on 1 player. This player at the beginning thinks that Poker depends on luck and by the end of the film he will realise it depends on him. This realisation will happen because he will be taken away from the game, within his mind, realising here that whatever he changes in his mind will change the game.
c)Aesthetics: I want my film to be a psichological film containing bits of surrealism to represent the moments in which we are within the character's mind.
d)Audience: The target audience would be 18+, I reckon that the key message would not be understood by someone younger than that. I would be sending the film to film festivals and exhibitions.
2.CONTEXT
a)Relation to my previous work: My last short film, "Forever Together" was also dealing with psichological matters. It seems that I am very influenced by my surroundings and that is why I usually go for this kind of themes.
b)Relation to a wider context: Poker is well famous nowadays, maybe this way I get the people to watch the film and get the message of it. I find particularly interesting to make a film on Poker, but not about Poker. There is too much already of cliched films on Poker as I have previously shown in this blog.
3.RESEARCH
At the moment my reasearch is primarily based on Youtube videos and a documentary from which I took the message that my film will contain. Youtube films on Poker are been useful for me in order to create something different, something that will not be "one more film about Poker". The documentary I am talking about is "What the Bleep do we Know"(William Arntz, Betsy Chasse and Mark Vicente, 2004, USA)It talks about spirituality and emotions and I found quite interesting to work on that phrase that served me as the message for my short film.
4.PREPRODUCTION
I will be shooting the main scene of the poker table at the studio at Middlesex university, they have black curtains to place behind in order to create that dark background that I want to achieve for the film.
5.METHODOLOGY
a)Techniques and resources: I am going to build a dolly to create smooth camera movements and the important dolly in and out of the character that will take us to another place (his mind).
I will use Casting Call Pro website (www.uk.castingcallpro.com) to get the actors needed as I did last year for my last short film.
I will need to practice with the lighting and dolly in the studio some days before filming to achieve what I want.
I could be using a DoF Adapter (Modo35) with my Canon HG20 and a Rode Videomic for the film, if this is not possible the university cameras and a separated boom mic will be used.
I contacted a 3D animator to create the beginning and ending titles(and anything else required).
I also contacted a sound designer to create for me the sound effects and perhaps the music as well.
b)Schedule: I am planning to have the script written by the end of Christmas so that I have time to find and cast the actors in January. The shooting is planned for February, that would leave me a month for post production issues, editing, creating the soundtrack, adding the 3D material and so on.
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